Directed by: Adam Ahlbrandt
Starring: J.D. Brown, Natalie Jean, Adam Huss, Tim Cronin, Tabetha Ray
Last month I had the opportunity to check Adam Ahlbrandt's take on the slasher genre; CROSS BEARER which was a bloody, gritty, gory affair filled with sex, drugs and violence. In other words it was awesome.
And while THE CEMETERY trades in the masked killer for more of a demonic possession tale it still keeps all of the aforementioned goodies intact while throwing in a brutal soundtrack to top it all off.
To provide us with some background the film begins by taking us all the way back to 1671 where a group of priests try in vain to exorcise demons from their unwitting hosts. Brutally tortured and eventually killed, these victims are buried in a secret cemetery, the location of which is hidden to all but the church.Cut to the present and we meet a team of paranormal investigators who host their own reality show Ghost Seekers. After investigating abandoned prisons, haunted houses and the like they are yet to find any substantial evidence of ghosts or ghouls. This with the help of a stolen church document their next destination is that very same cemetery where the demonically possessed were buried after being tortured and killed. But what will the Ghost Seekers do when their faced with a real demonic threat?
After enjoying CROSS BEARER so much I was a little worried that this follow up would fall short, but it turns out that I didn't need to be so worried because THE CEMETERY rocks. It has a great ensemble cast with some familiar faces returning from CROSS BEARER like J.D. Brown who plays the likeable Bill, Natalie Jean who spends most of her on screen time covered in blood and gore, and Tim Cronin who plays a bit of a douchebag. Then there's Adam Huss in the role of Tim; the horny, pot smoking comic relief and Tabetha Ray the bitchy medium. And a special mention to Burning Angel's Draven Star whose only job was to look smoking hot and she did it well indeed.
Everything that made CROSS BEARER so good is also on display here, from the masses of blood and gore to the tits and ass and a fittingly dark and foreboding atmosphere. And once again the make-up and effects are all practical and that in itself always score big points with me.
Another point worth mentioning is the film's soundtrack which is comprised mostly of heavy metal, which I personally love but it certainly won't fit everybody's taste. If you don't like the prospect of a soundtrack featuring band names like Fleshgod Apocalypse, Circle of Dead Children or Squash Bowels then this may not be for you. On the other hand if that sounds right up your alley then you're bound to have a great time.
I may have sad this before but Adam Ahlbrandt is definitely a filmmaker to look out for. He makes movies that horror fans want to see. Films packed with blood, guts, tits and ass; this is the stuff that reminds me why I started watching horror flicks in the first place. It's not without its imperfections but even the minor criticisms I may have about THE CEMETERY are far outweighed by all of the positives and the film's overall entertainment quality. And as much as I loved CROSS BEARER I think I probably enjoyed this a little more so it's getting an extra half a star.
And while THE CEMETERY trades in the masked killer for more of a demonic possession tale it still keeps all of the aforementioned goodies intact while throwing in a brutal soundtrack to top it all off.
To provide us with some background the film begins by taking us all the way back to 1671 where a group of priests try in vain to exorcise demons from their unwitting hosts. Brutally tortured and eventually killed, these victims are buried in a secret cemetery, the location of which is hidden to all but the church.Cut to the present and we meet a team of paranormal investigators who host their own reality show Ghost Seekers. After investigating abandoned prisons, haunted houses and the like they are yet to find any substantial evidence of ghosts or ghouls. This with the help of a stolen church document their next destination is that very same cemetery where the demonically possessed were buried after being tortured and killed. But what will the Ghost Seekers do when their faced with a real demonic threat?
Everything that made CROSS BEARER so good is also on display here, from the masses of blood and gore to the tits and ass and a fittingly dark and foreboding atmosphere. And once again the make-up and effects are all practical and that in itself always score big points with me.
Another point worth mentioning is the film's soundtrack which is comprised mostly of heavy metal, which I personally love but it certainly won't fit everybody's taste. If you don't like the prospect of a soundtrack featuring band names like Fleshgod Apocalypse, Circle of Dead Children or Squash Bowels then this may not be for you. On the other hand if that sounds right up your alley then you're bound to have a great time.
I may have sad this before but Adam Ahlbrandt is definitely a filmmaker to look out for. He makes movies that horror fans want to see. Films packed with blood, guts, tits and ass; this is the stuff that reminds me why I started watching horror flicks in the first place. It's not without its imperfections but even the minor criticisms I may have about THE CEMETERY are far outweighed by all of the positives and the film's overall entertainment quality. And as much as I loved CROSS BEARER I think I probably enjoyed this a little more so it's getting an extra half a star.
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