FEMALE PRISONER SCORPION: BEAST STABLE (1973) Review

Directed by: Shunya Ito

Starring: Meiko Kaji, Mikio Narita, Yayoi Watanabe

The third (and last of the franchise to be directed by Ito) FEMALE PRISONER film feels a lot different to both of its predecessors. In fact apart from a single extended sequence at the film's end, the setting is taken outside of prison walls and into the wide world beyond. But in a way the outside world seems like its own penitentiary.

Matsu has escaped prison once again and is trying her best to settle into whatever kind of 'normal' life she can. The film opens with a brilliant sequence (probably the best opening for any of the films so far) in which Scorpion is seated in a subway car trying her best to blend in. Two police officers recognize her and try to detain her. One officer manages to get a handcuff around her wrist (the other cuff around his own) but she manages to slip out the door of the train just as it is closing. The only way to escape is for her to cut off the officer's arm which she does so swiftly just in time for the opening credits in a wonderful sequence showing her running through the busy streets with a disembodied arm swinging from her wrist.
A new character is also introduced in this third film, a distraught young woman named Yuki (who coincidentally is played by Yayoi Watanabe who played Yuki in the original film) who sells her body in order to provide for herself and her mentally retarded brother. She also gives up her body for her own brother to satisfy his sexual desires.

The two women meet in a cemetery and strike up a strange kind of mutual friendship most likely fuelled by their similar predicaments. Both women are trapped in their own prisons and have next to no opportunity at living a normal life. But while Matsu responds to scenarios with her patented violent vengeance Yuki is seemingly cursed with getting fucked over and over again. Her only real means of escape is the terrible thought of killing her very own brother.

Although BEAST STABLE is still firmly an exploitation flick it is quite a bit more tame than the previous two films although it does include incest, torture, forced abortion and some nudity. And as usual no woman can take more than 5 steps outside without being accosted and having her clothes ripped off. As for the story itself it is fairly well told but at times does feel a little disjointed especially when it comes to the ending which was awesome in itself but ultimately felt almost tacked on.

Shunya Ito is a masterful director and it's a shame that over a 40 year career he has only directed around 14 films, and more of a shame that BEAST STABLE marked the end of his involvement in this series. But to be honest he chose a good time to end it because the way this film ends there is no need for any more sequels even though Meiko Kaji would later return to her role in the fourth film GRUDGE SONG.
BEAST STABLE is easily Ito's bleakest film in his trilogy which I found almost ironic since it is set in the 'free' world outside of prison. In one scene Kaji's character is even reduced to tears which is something I never would have expected. And although the symbolism from the previous movies is not quite so prevalent here there are some wonderful scenes - my favorite showing the lit matches drifting down into the dark depths of the sewer, a few at a time first and then eventually a downpour of them.

BEAST STABLE is a lot different from Ito's other FEMALE PRISONER movies and if you're looking for another WIP film then you may be sorely disappointed. However it is a great film in its own right and showcases some nice storytelling, more of Ito's unusual artful style and some decent acting. And of course once again Meiko Kaji plays the role of Scorpion to perfection.

SEX AND FURY (1973) Review

Directed by: Noribumi Suzuki

Starring: Reiko Ike, Christina Lindberg, Ogin Shitateya

I'm not altogether familiar with Pinky Violence films and I'm sure a lot of other people are in the same boat. But I've found a nice explanation on Listal which seems to sum up the genre fairly well.

"Pinky Violence is a film genre that developed out of the Japanese New Wave in the late sixties and blossomed into it’s own during the early seventies. The term came from the way the films mixed the erotic elements found in Pink Films (a.k.a. Roman Porno) with the action and violence found in Yakuza crime films. They are often grouped in with sexploitation films because of their excessive nudity, over the top gore and low budget production. 
These films have influenced many Western directors such as Russ Meyer, Quentin Tarantino and Robert Rodriguez"

So in the most basic of terms Pinky Violence films are "sexed up, bad girl action films" punctuated with lots of nudity, erotic scenes and strong female leads. I stumbled upon Grindhouse Database's "Pinky Violence: A Beginner's Guide" and as suggested I checked out SEX AND FURY for an introduction to the genre. By this point it's still the only Pinky Violence flick I've seen, but if it's representative of the genre then I am most definitely a fan.

The general outline of SEX AND FURY is simple. It's a revenge flick. A young girl witnesses the murder of her detective father by three men who escape with some important evidence. With the last of his strength the dying detective provides a clue to the identity of his killers by arranging three gambling cards with the images of a deer, a boar and a butterfly upon them. The young girl grows up and takes on the name of Inoshika Ocho (played by the lovely Reiko Ike). What the English subtitles failed to mention however is that this name is taken from the Japanese words for wild boar (Inoshishi), deer (Shika) and butterfly (Chou) which I thought was a little too important not to mention.
As simple as the revenge story is, there is enough subplot going to make sure that the movie is never boring. Ocho encounters the idealistic young man Kurokawa who is intent on seeking his own revenge upon the corrupt politicians responsible for his father's downfall. Another player entering the story is the spy Christina (Swedish import and cult favorite Christina Lindberg) who has to choose between her important work and her love for the young rebel Kurokawa. Kurokawa's past also intersects upon Ochu's as he knows of her father's murder and can help her find the men responsible.

For a movie I had never heard of before I honestly wasn't expecting too much. I decided that if I saw a good amount of boobage then I would at least be satisfied if not impressed. What I didn't count on however was just how much I would love this movie. From the opening title sequence right through until the end SEX AND FURY is a gorgeous looking film with a great soundtrack, plenty of nudity and some nice action sequences. Reiko Ike is nice and easy on the eyes and seeing her fully nude and wielding a katana against a throng of bad guys in a snowstorm is truly a sight to behold. Lindberg unsurprisingly gets naked more than once also and gives us the film's only lesbian scene.

As for the violence there is plenty of it although it's not overly gory. Having said that though there is plenty of blood spraying all over the place particularly in the final sequence which was obviously a big influence on Tarantino and KILL BILL. Although SEX AND FURY sits easily inside the genre it is so well made that it would be unfair to view it simply as a Pinky Violence flick. The cinematography is great, the fight choreography is well done, the acting for the most part is good, the sets are nice and elaborate and the entire film is a visual treat. The only qualms I had were minor. There probably could have been a little more violence particularly near the middle of the movie, and also Christina Lindberg's acting isn't exactly what you'd call great. Getting to see her naked is always a plus though.

Apart from those very minor problems SEX AND FURY is definitely a film I would recommend not only to fans of sexploitation, grindhouse and pinky violence but to movie lovers in general.